Pech

Samuel Haitz
Abstraction
January 29 – March 11, 2026

Samuel Haitz, <em>Blowjob</em>, 2026, Silver-gelatin print on baryta paper, framed, 69,2 × 93,7 cm (Print: 59,4 × 84,1 cm) – Thumbnail preview

Samuel Haitz, <em>Handjob</em>, 2026, Silver-gelatin print on baryta paper, framed, 93,7 × 69,2 cm (Print: 84,1 × 59,4 cm) – Thumbnail preview

Samuel Haitz, <em>Penetration</em>, 2026, Silver-gelatin prints on baryta paper, framed, Diptych, each 93,7 × 69,2 cm (Print: 84,1 × 59,4 cm) – Thumbnail preview

Samuel Haitz, <em>69</em>, 2026, Silver-gelatin print on baryta paper, framed, 129,1 × 94,3 cm (Print: 118,9 × 84,1 cm) – Thumbnail preview

Samuel Haitz, <em>Archive (I’m not so much into superficial things, but when I close my eyes at night, all I can see is your face)</em>, 2026, Acrylic glass, wood, brackets, mixed media, 42 × 29,7 × 7,6 cm – Thumbnail preview

Pech is pleased to present Abstraction, an exhibition of new works by Samuel Haitz.

Samuel Haitz (b. 1997) is a Swiss artist. His work deals with the legacies and concepts of artistic practice, as well as desire and its projections. He has held solo and duo exhibitions at, among others, GROTTO (Berlin, DE, 2024); Triangolo (Cremona, IT, 2024); All Stars (Lausanne, CH, 2022, with Julie Beaufils); Sangt Hipolyt (Berlin, DE, 2022); Cabaret Voltaire (Zurich, CH, 2021); and Plymouth Rock (Zurich, CH, 2019). Group exhibitions include Halle für Kunst Lüneburg (Lüneburg, DE, 2025); Good or Trash (Paris, FR, 2025); Clearing NY/LA (Basel, CH, 2025); Triangolo (Cremona, IT, 2024); Swiss Art Awards (Basel, CH, 2024); Etablissement d’en face (Brussels, BE, 2024). In 2025 he was a resident at WIELS (Brussels, BE) and was awarded the Kunstkredit Basel Prize.

The exhibition was supported by Pro Helvetia, Schweizer Kulturstiftung.

Special thanks to Weingut Siegfried Resch.